I go back to Ruth’s music over and over again. She has the best, weirdest chord changes, the catchiest and most exotic melodies and lyrics, distilled over what I imagine to be many months and years.
To me her songs reaffirm the power of music itself and its basic elements - big and small intervals placed just so in time, the play of sound and meaning in words, parts put together without force or artifice. Ruth is one of my favorite singer-songwriters ever. - Chris Cohen
Kleinmeister, the new album by Ruth Garbus, is a rarity, the holy wastewater of folk-rock decanted into the Lake of Avalon by a provincial plebe, turned into wine. It is sublime, and absurd, and infused with the green hills, grey cemeteries, and plastic detritus of her Brattleboro, Vermont home.
These compositions come from an odd but familiar world, chiaroscuro silver litter in the beam of a flashlight. In Garbus’s voice, too, the dark and light are combined - even the highest pitches contain pools of undertones, a depth. (She became fully expressed as a mezzo soprano, in both her range and her soul, with the aid of opera singer Jim Anderson, whom she studied with in 2017/18.)
The first track of Kleinmeister is “Strash,” a sensual ode inspired by the book Garbage Land by Elizabeth Royte, with unison singing by Julia Tadlock. This is followed by “Pain,” which builds in size and scope toward a kind of operatic emo-political drama, and achieves levitation with piano played by Travis Laplante (Battle Trance, Subtle Degrees), who also acted as producer, and additional production by Ryan Power, who mixed the album.
From there, Kleinmeister moves into barer bones, highlighting Garbus's resonant voice, rhythmic guitar, and the impeccable recording quality - it was recorded to two-inch tape at Guilford Sound in Guilford, VT by Dave Snyder. Sparse, skewed harmonies, sometimes sung by Tadlock, lilt throughout. The final track, “Fetty Wah,” features Laplante again, this time on tenor saxophone, with improvised melody lines that uplift but still contain a bit of the sorrow of the world.
Garbus’s prior solo recordings - 2010's Rendezvous with Rama LP and the EP’s Ruthie's Requests, Joule EP, and Hello Everybody - have been released on Burger Records, Autumn Records, Feeding Tube Records, and OSR Tapes. Currently, in addition to her solo performances, she improvises vocally with an experimental quintet featuring Wendy Eisenberg, Donny Shaw, Neil Young, and Andy Allen. She was previously in the bands Happy Birthday and Feathers.
RUTH GARBUS LIVE DATES
February 15 Greenfield, MA @ 10 Forward (w/ Mal Devisa & Hollow Deck)
March 07 Anacortes, WA @ The Depot (w/ Claire Cronin & Advance Base)
March 08 Seattle, WA @ The Vera Project (w/ Claire Cronin, Advance Base & Nicholas Krgovich)
March 10 Seaview, WA @ Sou'wester Lodge (w/ Claire Cronin & Advance Base)
March 11 Portland, OR @ Mississippi Studios (w/ Claire Cronin & Advance Base)
March 13 San Francisco, CA @ Neck of the Woods (w/ Claire Cronin & Advance Base)
March 14 Ojai, CA @ Greater Goods (w/ Claire Cronin & Advance Base)
March 15 Los Angeles, CA @ The Satellite (w/ Claire Cronin & Advance Base)
- Ruth Garbus on Feeding Tube Records
- Tiny Mix tapes reviews Rendezvous with Rama
- Basemental reviews Hello, Everybody
- Impose Magazine reviews Hello, Everybody
- The Vinyl District reviews Joule EP
- Pitchfork reviews Joule EP
- Wendy M. Levy profiles Ruth Garbus for The Commons
- Various Small Flames premieres "Strash"
- Post-Trash premieres "Beauty"
- Music Won't Save You reviews Kleinmeister (in Italian!)
- Basemental reviews Kleinmeister
- Daily Hampshire Gazette interviews Ruth Garbus
- Quinn Moreland reviews Kleinmeister for Pitchfork
- Aquarium Drunkard interviews Ruth Garbus
- Chris Cohen reviews Kleinmeister for Talkhouse
- Dan Shea reviews Kleinmeister for Boston Hassle
- Ian Forsythe reviews Kleinmeister for Dusted Magazine
- Ruth Garbus writes a song-by-song breakdown of Kleinmeister for Portals Music
- Monchicon interviews Ruth Garbus (Japanese translation)
- Joe Gutierrez reviews Kleinmeister for Post-Trash