Listen to two songs from Sand Duney's debut album Plant Material Posted 05 Aug 2026

Plant Material is the first full-length album from Sand Duney, the project of songwriter and multi-instrumentalist Jess Jones (Dear Nora, Jessica Dennison + Jones, Hot Gum, Cynthia Nelson Band). Plant Material builds on the sonic landscape and themes present in Sand Duney’s three song EP, The Julia Loop, released in 2021. Starting that year, Jones went back to school to study landscape design and sustainable gardening, which led to a radical shift in how she interacted with and understood the plant world—both its extreme vulnerabilities in the changing climate and its resiliencies—and how she understood herself, her partnership, and her community. The year she started school, she also married her wife. From the outset, “Out On A Dune” places us at the edge of the ocean, on the cusp of new and enduring love. Jones sings, “Feels like / A different sun / Has come up.”

Jess Jones played every instrument on Plant Material, including pedal steel, acoustic and electric guitar, bass, organ, and drums. She also recorded and mixed the record herself at home in Portland, OR and Missoula, MT. At first, Jones started experimenting with creating recordings that were one-take performances direct to 2-track reel-to-reel, often based around loops or underlying grooves. Her deep love of classic country and jazz recordings led her to think about how much those recordings relied on the magic of live performance. All the instrumental songs on Plant Material—“Spring” “Tilth” and “Mycelium”—are all direct to tape recordings, with no overdubs. Others, like “Jacaranda” “Deadnettle” and “Pages” have a bed of the original direct-to-tape grooves, but were then multi-tracked over. With this method, the songs on Plant Material achieve a feeling of spontaneous playing and the snapshot in time of live performance, but are also meticulously crafted and edited. The result is a record that moves and sounds like water through a deep canyon, every layer guiding us somewhere new.

Plant Material will be released September 4 by Anything Bagel, Bud Tapes & Orindal Records. Cassette tapes w/ downloads can be purchases direct from Orindal. Vinyl & standalone downloads can be purchased via Bandcamp.

Catch Sand Duney live!

Aug 13, 2026- Daisy Chain Fest, Missoula, MT
Sept 03, 2026- Seattle, WA @ House Show w/ Eli Moore (Lake), 129,600
Sept 04, 2026- Langley, WA @ Salad Days Records w/ Eli Moore (Lake), 129,600
Sept 05, 2026- Portland, OR @ Turn Turn Turn, w/ Cynthia Nelson Band, Dragging an Ox Through Water

Watch Duffy x Uhlmann perform "Public Life" Posted 04 Aug 2026

Meg Duffy & Gregory Uhlmann perform "Public Life" from Duffy x Uhlmann's forthcoming album Hot Creek (out August 14 on Orindal Records). Video by Alex LaLiberte.

Catch Duffy x Uhlmann live at Sid the Cat Auditorium in Pasadena, CA on August 19!

Duffy x Uhlmann announce second album Hot Creek, share "Public Life" Posted 21 Jul 2026

Photo credit: Harrison Whitford

HOT CREEK, THE SECOND COLLABORATIVE ALBUM BY THE DUO OF MEG DUFFY & GREGORY UHLMANN (FOLLOWING THEIR 2023 DEBUT DOUBLES) IS OUT AUGUST 14 ON ORINDAL RECORDS

“A last attempt: the language is a dialect called metaphor.
These images go unglossed: hair, glacier, flashlight.
When I think of a landscape I am thinking of a time.
When I talk of taking a trip I mean forever.
I could say: these mountains have a meaning
But further than that I could not say.

To do something very common, in my own way.”

– Adrienne Rich, “A Valediction Forbidding Mourning”

Hot Creek, the second album from Meg Duffy and Gregory Uhlmann’s project Duffy x Uhlmann, unspools in the spirit of what poet Adrienne Rich called “a dream of a common language.” Taking Hot Creek, the geothermal spring that courses through Mono County, California, as its guiding metaphor, Duffy and Uhlmann’s melodic conversation both carves out a streambed and fills it with all temporalities of water: rapid, eddy, flood. In this sonic cartography, the waterway holds the trickling improvisations in the same way that grammar holds language, a container for what inevitably exceeds containment.

In this exquisite and existential elaboration of their collaboration, Duffy and Uhlmann develop the shared syntax initiated in their debut album Doubles. With only two guitars, Hot Creek departs from the first album’s gritty, urban soundscape, touching down in the natural world to explore a different dream. Like the ancient Greek philosopher Heraclitus’s well worn adage that you can’t step in the same river twice, these songs chart constant change, loss, and discovery, eschewing staticness of place and space. Hot Creek traverses – with both mischievousness and grief – the fact of impermanence, slips of the tongue, valuing equally what is lost and what is found, and what is made new through evolutions of repetition.

The opening track, “Doing It for Me,” winks at the fact of collaboration: a palimpsest-like collective of two individuals trying to reach each other. Here, they establish a rhythmic base that feels like a time-lapse bloom and ends with a swirling gallop, and slowly introduce bubbling guitar riffs that pirouette before becoming part of the ensemble of inside jokes and shifting moods. “To Be a Good Friend” opens and closes with the sound of footsteps and muffled voices approaching and receding. Like any good conversationalist, Duffy and Uhlmann have mastered the art of crescendo, but also the art of trailing off. In other words, the art of withstanding the space between true connection and fundamental mysteriousness of the other. “Plumeria” follows with agile and sweet staccato, punctuated by bright and soothing pauses: so much is said in the space between the riffs.

From these caesuras, the album thematizes the relationship between any utterance and what it obscures. “Sewering” drops us underground, where echoing drips ricochet through rusted pipes and crickets sing in the dark. We listen to “Public Life” from below, a soothing melancholic interlude of seeing and being seen that alludes to the currents underneath. This tentative lullaby culminates with the twang of the title track, “Hot Creek” and “The Source,” which slow everything to a near-hypnotic suspension, all while turning wide-eyed toward origin, centering the wonder of hearing a song before it hardens into predetermined meaning. This is musical language getting born, leading us to ask where does the water come from? Where does the love go? To answer these questions, the album widens into deep time with “Finding Methuselah,” which ricochets and reverbs notes between a four thousand year old tree aching on a hillside in Inyo County and the Milky Way itself.

Duffy and Uhlmann’s Hot Creek gives us the gift of listening to the birth of a common language in real time. Their melodies and rhythms move with the sweet vernacular of geothermic water and all its earthly infrastructures, accomplishing the profound potential of nonauthorship only collaboration allows, while also in Rich’s words, doing something very common, in their own way.

– Rosie Stockton


Hot Creek album design by Christina Huang

Hot Creek is available for pre-order on creek water color vinyl, classic black vinyl, cassette tape & digital formats HERE.

DUFFY X UHLMANN LIVE
Aug 19, 2026- Pasadena, CA @ Sid the Cat Auditorium (w/ Nina Keith)

Duffy x Uhlmann returns with kinetic new instrumental "Doing It for Me" Posted 07 Jul 2026

(Photo credit: Harrison Whitford)

Duffy x Uhlmann, the collaborative instrumental project of Los Angeles experimental guitarists Meg Duffy (Hand Habits) & Gregory Uhlmann (SML) returns after their 2023 debut LP Doubles with “Doing It for Me,” a kinetic new single built from layers of processed guitar loops & textures.

CATCH THE PREMIERE NOW AT FLOOD MAGAZINE

From the band’s biographer, poet Rosie Stockton:
“Doing It for Me,” winks at the fact of collaboration: a palimpsest-like collective of two individuals trying to reach each other. Here, they establish a rhythmic base that feels like a time-lapse bloom and ends with a swirling gallop, and slowly introduce bubbling guitar riffs that pirouette before becoming part of the ensemble of inside jokes and shifting moods.

“Doing It for Me” arrives ahead of Duffy x Uhlmann’s return to the stage: August 19 at Sid the Cat Auditorium in Pasadena, CA with special guest Nina Keith.

"Doing It for Me" is available for stream & purchase from Bandcamp.

Profound by Ruth Garbus is out now! Posted 12 Jun 2026

"Somehow elegant and oddball at once (but more often elegant), the album does indeed live up to its title." – Marcy Donelson, AllMusic

"Her tools are all soft and ingratiating—whispery soprano, delicate melodies, the glow of electric keyboards, the occasional click and bump of drum machines—but her work is challenging. Alongside Wendy Eisenberg, Garbus is extending the possibilities of acoustic songwriter pop." – Jennifer Kelly, Bandcamp Daily

Profound, the new album by Brattleboro, Vermont, singer-songwriter Ruth Garbus, is out now! You can stream Profound HERE.

Profound is available for purchase on gold metallic vinyl, classic black vinyl, compact disc & digital formats from HERE.

Ruth Garbus Trio (featuring Nicholas Bisceglia & elie mcafee-hahn) are heading out on tour! Don't miss em live.

June 26, 2026- Burlington VT @ Light Club Lamp Shop
June 27, 2026- Brattleboro, VT @ The Stone Church
Aug 18, 2026- San Diego, CA @ Gelato Vero
Aug 19, 2026- Los Angeles, CA @ 2220 Arts
Aug 20, 2026- Santa Cruz, CA @ Crepe Place
Aug 21, 2026- San Francisco, CA @ 4 Star Theater
Aug 23, 2026- Bolinas, CA @ Gospel Flat Farmstand
Aug 24, 2026- Nevada City, CA @ Sans Back Up Plan
Aug 26, 2026- Portland, OR @ Laverne's
Aug 27, 2026- Seattle, WA @ Vera Project
Aug 28, 2026- Anacortes, WA @ The Depot
Aug 29, 2026- Bellingham, WA @ Temple Bar
Aug 30, 2026- Vancouver, BC TBA

Watch the music video for “The Lost Soul” by Ruth Garbus, filmed at Brattleboro Community Television Posted 13 May 2026

Brattleboro, Vermont indie folk singer & songwriter Ruth Garbus has shared “The Lost Soul”, the second and final advance single from her forthcoming album Profound (out June 12 on Orindal Records). The single is accompanied by a live performance music video filmed and engineered at Brattleboro Community Television by Johnny Gifford. In the video, Ruth is accompanied by her Ruth Garbus Trio bandmates elie mcafee-hahn (keys, voice) & Nick Bisceglia (guitar, voice). The video was edited by Ruth, and the audio was mixed by Nick and elie.

RUTH GARBUS ON “THE LOST SOUL”
“The Lost Soul” came to me in a dream: I woke up with trails of a Moon River-type scene in my consciousness; a song, on nylon string guitar, melancholy and pretty. I went out on the porch with a guitar and did my best to capture it before it disappeared.

Ruth Garbus Trio will play two album release shows for Profound in Vermont, June 26 & 27. Tickets for both shows are on sale now.

RUTH GARBUS TRIO LIVE
June 26 - Burlington VT @ Light Club Lamp Shop
June 27 - Brattleboro, VT @ The Stone Church

Profound is available for pre-order on gold metallic vinyl, classic black vinyl, compact disc & digital formats from HERE.

Ruth Garbus announces new album Profound, shares “I Think I’m Ready Now” Posted 20 Apr 2026

Photo credit: Michael Zuhorski

Profound is the title of Brattleboro, Vermont, singer-songwriter Ruth Garbus' third studio album for Orindal Records. Listeners of the songwriter's deeper catalog know Garbus' work not only for its minimal melancholy but for vibrant, literate lyrics that take stock of the sludge that fills our psyches and oceans. But on Profound, Garbus is admittedly happier. She is also more self-assured in her music and her place making it. On the opening track, aptly titled, "I Think I'm Ready Now," Garbus sings, "In the pink of your surroundings you can let go of shame / The lemon drops of failure all dissolve / And the sick of sweet pretending just a veil of gauze."

Profound begins and ends with Garbus weighing what it means to be a woman in her forties. At age forty-four, she explains that as her hormones change, she experiences what she calls "the cyclical yearn of 'extinction burst' fertility." On the first track, the aforementioned "I Think I'm Ready Now," she's "as relaxed as a woman can be when she's filled with blood." And at the same time, on the final luscious pop track "Tall Face," she leaves listeners, singing that her "luxurious wrinkles wind like a vine" around her "tall face." In this way, Profound is a portrait of an artist who is comfortable with who she is and ready to explore who she might become.

Garbus has earned her Profound title, yet remains searching—for answers to life's big questions, to find her style and her sound. She credits much of the development of Profound to collaboration with her Trio (Nick Bisceglia and elie mcafee-hahn), a Piano for Songwriters class she took with School of Song, and vocal coaching from Junko Watanabe at the Brattleboro Music Center. Under the auspices of Watanabe's instruction, Garbus learned music by the French Romantic composer Gabriel Fauré, singing it in its original French, but she translated two of these works—"Clair de Lune" and "Nocturne"—for the album. Profound was recorded at the home studio of Garbus' longtime friend and collaborator Kyle Thomas, aka King Tuff, in the Northeast Kingdom of Vermont to quarter-inch tape along with Nick (guitars) and elie (keyboards). Profound builds on a deep history of musical participation and collaboration; Garbus has played in Earth Flower, a trio with avant-garde LA saxophonist Sam Gendel and inventive Toronto percussionist Phil Melanson; Gloyd, an experimental improvisational quintet super-group with Andy Allen, Wendy Eisenberg, Donald W Shaw III, Neil 'cloaca' Young; and in the more distant past in Vermont freak-folk band Feathers and freak-pop band Happy Birthday. Through collaboration, Garbus seems to always be pushing her songs, her voice, and her musicality further. The continued adaptation of drum machines, keyboard, and creatively processed guitar bring Profound to new sonic heights.

Garbus conjures a happy-go-lucky guy who grabs his "sunscreen bottle" and puts on his "pinwheel hat" to go to the beach in her perhaps most contented song to date, "Sunny Summer Guy." "And I was just fucking happier and those two songs are really happy songs," Garbus recalled, describing the emotional break for “Tip of the Hat to Yellow Fleur” and “Sunny Summer Guy,” something she credits in part to starting life-changing medication for depression and anxiety. "Creatures listen to the small guitar / Gentle and magical yet avant-garde," Garbus sings on "Tip of the Hat to Yellow Fleur," an upbeat love song to her longtime partner, fellow visionary Brattleboro songsmith Chris Weisman, over a slick vintage drum machine and vibey distorted keyboards. Here, Garbus muses: "Is there a way to prove that love is real / Lab coats and microscopes say yes." This playful pondering is just as rich as Garbus' spellbinding melodies and complexly moving chordal changes that create the ingredients for a sound that is, in fact, "gentle and magical yet avant-garde."

Photo credit: Kyle Thomas

RUTH GARBUS ON “I THINK I’M READY NOW”
“I Think I’m Ready Now” is a song about being a ripe fruit. I guess. I mean, I wrote it in the same way I write most of my songs, except I was cackling at my audacity a little more than usual. It has a tension, partly because it feels important to me—I don’t know exactly why. I think there is something about expressing myself in here in a certain way, like I almost need to do it too much and it makes me uptight. When me and elie and Nick have worked on it and performed it, I have had to really go through a process with it; I had to let go a lot and just chill the eff out. It was hard. That’s usually how it goes: when I think I need to be forceful, in how I’m singing and/or how I’m approaching the arrangement, it turns out I just need to really back off and that’s when the power comes.

Profound is available for pre-order on gold metallic vinyl, classic black vinyl, compact disc & digital formats HERE.

RUTH GARBUS TRIO LIVE
May 06, 2026- Queens, NY @ Cassette (w/ Dear Nora)

Nicholas Krgovich announces an album of Bruce Springsteen covers called Boss Tape, shares “Gave It a Name” Posted 13 Apr 2026

(photo credit: Colin Medley)

Vancouver, BC singer/songwriter Nicholas Krgovich returns with Boss Tape, his first solo release since 2023’s Ducks LP. Self-produced & recorded at home & at the Wise Hall in Vancouver, Boss Tape is a collection of Bruce Springsteen covers performed with the small ensemble of Julia Chien (percussion), Julia Chirka (bass clarinet, backing vocals), Thom Gill (guitar) & Krgovich on keys & vocals. Boss Tape is out May 8, 2026 on Orindal Records. Focusing on the tender side of Springsteen’s catalog, Boss Tape collects eight minimally-arranged ballads full of longing & regret. Lead single “Gave It a Name” (an outtake from Springsteen’s 1992 album Human Touch & finally released in 1998 on the Tracks box set) is a biblical rumination on the origins of guilt & shame sung low & gentle by Krgovich with bare bones electric piano figure & tambourine accompaniment.

Nicholas Krgovich on Boss Tape:

“On November 22nd 2024 I bought the single cheapest ticket I could find to see Bruce Springsteen and the E Street Band right before the show. It was 258 dollars. I did the same thing on November 26th 2012 only I bought two and went with my little brother Mikey and they were 48 each. I feel like if someone whose music you love comes to town you just go if you can. A couple weeks went by after the concert and I was still in a Boss reverie. I had a show coming up and as per usual I didn't know what I was going to do so I decided "maybe I'll play all Springsteen songs and I'll do it with two Julias". The Julias said yes and one afternoon I learned 8 songs and made a quick recording of each of them as a guide for my bandmates. This tape is the keys and singing from that original sketch recording which a year later we finished by adding Julia Chien's percussion, Julia Chirka's bass clarinet and Thom Gill's guitar. Hope you like it!”

Boss Tape is available for pre-order on cassette & digital formats HERE

Nicholas Krgovich on tour

Nicholas Krgovich & band are taking Boss Tape on tour, previewing the album live & selling cassette copies ahead of the May 8 release date in select cities across Ontario & Quebec. All live dates are with Orindal Records labelmate Advance Base.

Apr 25, 2026- Hamilton, ON @ The Back Hall (w/ Gareth Inkster & Advance Base)
Apr 26, 2026- Toronto, ON @ The Baby G (w/ Little Kid (solo) & Advance Base)
Apr 27, 2026- Ottawa, ON @ Rainbow Bistro (w/ Tea & Oranges & Advance Base)
Apr 28, 2026- Montreal, QC @ Cab Fouf (w/ Pompey & Advance Base)

Lessons by bobbie is out now! Posted 06 Mar 2026

Lessons by bobbie is out now on Orindal Records!

Lessons is a cozy yet expansive album of gentle, Bossa Nova-inspired singing, shimmery guitar strumming, Omnichord beats & ambient electronics by Western Massachusetts dream pop artist bobbie. (RIYL: Florist, Grouper, Mount Eerie)

"luxuriant, a place to get lost in the unspoken and the unknown" – For the Rabbits

"subtle and full of melancholy... captivating" – GoldFlakePaint

Buy Lessons vinyl, tapes & downloads here:
bobbie.bandcamp.com/album/lessons


Catch bobbie on tour!

Mar 14- Holyoke, MA @ Loculus Studio (w/ Cow Person, Beetsblog & DJ MZOMMY issues)
Mar 21- Portland, OR @ The Showdown (w/ Moontype & Advance Base)
Mar 22- Eugene, OR @ Art House (w/ Dust Congress & Advance Base)
Mar 24- Oakland, CA @ Thee Stork Club (w/ Moontype & Advance Base)
Mar 25- Los Angeles, CA @ The Moroccan Lounge (w/ Moontype & Advance Base)
Mar 26- San Ysidro, CA @ El Salon Theatre (w/ Moontype & Advance Base) **FREE SHOW

Watch the music video for "I Don't Wanna Stay" by bobbie Posted 17 Feb 2026

"I Don't Wanna Stay" is the final advance single & music video from bobbie's forthcoming album Lessons (out March 6 on Orindal Records).

The music video is a dream-like, ambient video essay directed by bobbie (aka bobbie shuster).

bobbie says:

“I Don’t Wanna Stay” is the final track on “Lessons”. The song has evolved from earlier lo fi recordings to include looping layers of harmony, omnichord trills, wandering guitar riffs, and synth texture. Longing is a reoccurring theme on “Lessons,” and “I Don’t Wanna Stay” has a particular saudade. The song asks are we ready for change? How do we hold our grief, disappointment, and nostalgia?

“I Don’t Wanna Stay” was written by bobbie & produced by bobbie & Felix Walworth (of Florist & Told Slant). "I Don’t Wanna Stay" Engineering by Felix Walworth. Mastering by Josh Bonati.

Pre-order Lessons vinyl & tapes HERE.

Watch the music video for "Cloud Vision" from bobbie's forthcoming album Lessons Posted 21 Jan 2026

My spirit directive / a cosmic perspective / is let it be put down / and love what it taught me.

Lessons is the new record from bobbie. This is their first release with Orindal Records. bobbie lives in Western Massachusetts, where they alchemize dream pop ethereality, twinkly ambient abstraction and intimate vocal clarity into their unmistakable sound.

Distorted Omnichord autoharp looping, layers of drone-y synthesizers and low, reverberating guitar crack open into a wide sonic landscape. bobbie architects this atmosphere then introduces rhythm (often just Omnichord pre-set drum beats but also live drums from Lessons engineer, Felix Walworth of Florist and Told Slant) and then adds the lyrical presence. The songs are deeply layered and spatial but with a clear vocal throughline. There is harmony and dimensionality to this assemblage.

bobbie evokes the ambient qualities of Enya, Brian Eno and Cocteau Twins as well as the pop-y poetic vibes of Dear Nora and Frankie Cosmos. Influences range widely from artists such as Laraaji, Beach House, Arthur Russell, Bill Callahan, Beverly-Glenn Copeland, Alice Coltrane, Astrud Gilberto, to projects like Plantasia and to recurring dreams + visions. When they wake up in the morning, bobbie often records themself dictating and attempting to make meaning of the previous night’s dream. Much of their album’s imagery comes from this practice.

bobbie on Lessons
Lessons is an artifact of love, curiosity and humility. This is one spec/snapshot into one spirit aka me being real.

“CLOUD VISION”
“Cloud Vision” is the first track on Lessons. Omnichord and synthesizers open the song with gentle texture, and bobbie’s guitar playing is warm and resonant. Live drums by Felix Walworth (of Florist & Toldslant) push the song forward with a steady walking pace. We are journeying towards a clearing or wide vantage point. "Cloud Vision" is now streaming everywhere.

“Cloud Vision” was written by bobbie & produced by bobbie & Felix Walworth. Engineering and drums by Felix Walworth. Mastering by Josh Bonati.

bobbie on “Cloud Vision”
“Cloud Vision” evokes the ephemerality and mystery of art and love. There is a hopefulness for what’s becoming and humility as to knowing its origin.

Lessons is available for pre-order on limited edition purple vinyl, classic black vinyl, cassette & digital formats HERE.

BOBBIE ON TOUR
Mar 21, 2026- Portland, OR @ The Showdown (w/ Moontype & Advance Base)
Mar 22, 2026- Eugene, OR @ Art House (w/ Dust Congress & Advance Base)
Mar 24, 2026- Oakland, CA @ Thee Stork Club (w/ Moontype & Advance Base)
Mar 25, 2026- Los Angeles, CA @ The Moroccan Lounge (w/ Moontype & Advance Base)
Mar 26, 2026- San Ysidro, CA @ El Salon Theatre (w/ Moontype & Advance Base)

10,000 Rivers by Robert Stillman is out now! Posted 09 Jan 2026

10,000 Rivers, the new album by Maine-born, UK-based multi-instrumentalist & composer Robert Stillman is a speculative suite of jazz, ambient and smooth pop-inspired compositions that challenge the myths of Silicon Valley’s early ‘90s techno-utopianism.

Robert Stillman didn’t set out to make a concept album about Steve Jobs. But as a composer and improviser whose music asks questions about his relationship with reality, a curiosity about the promises and follies of technology took him there.

Following an intuitive path from James Bridle’s acclaimed book on non-human intelligence Ways of Being to the seminal 1995 essay “The California Ideology”, Stillman arrived at Walter Isaacson’s biography of Apple founder Steve Jobs – and what would become the catalyst for his new album.

“10,000 Rivers points to an alternative narrative about a man who is tormented by the instability of his reality, so tries to invent his way out of it,” Stillman explains. “Ultimately, his tech designs become expressions of his will to replace the messy, disordered, temporary nature of the world with something that strives to be barely physical: streamlined, symmetrical, uncomplicated, and deathless.”

Highly original, wholly unclassifiable, 10,000 Rivers is part cultural critique, part sonic biography and takes the form of a series of songs, instrumentals and abstract soundscapes that respond directly to moments or paradigms from Jobs’ life.

PRAISE FOR 10,000 RIVERS:

"There's an echo of the plastic transparency of '80s soft-pop, but fed through the oneiric strangeness and dissembled, improvisatory tone-poems of the likes of Lonnie Holley or Arthur Russell; Stillman is similarly idiosyncratic in his approach and expression." – UNCUT

"For all its digital trappings, this is a deeply human record, and one of the finest Stillman has made to date." – Aquarium Drunkard

"...an exploration of reality and the ways the assertations and delusions of the tech industry attempt to shape it..." – Various Small Flames

"This is not mindless, mundane music...It’s thoughtful, challenging and difficult, but it’s also musical, playful and serene." – 13th Floor Elevator

10,000 Rivers is out now on Orindal Records (US) & KIT Records (UK).
North American customers can purchase 10,000 Rivers on vinyl & digital formats HERE.
Customers in EU/UK can place their orders through Bandcamp.

10,000 Rivers vinyl is distributed in North America by The Business & Revolver / Midheaven.